"Interestingly the poetry world is getting celebrated for its VIDA showing of nearly equal gender parity in reviewing etc. The problem there though is that the majority of the poets writing are female. It’s true. That’s who takes workshops, that’s who gets MFAs, you can easily get some numbers there and frankly in the poetry scene the women are the ones who are generally doing the most exciting work. Why? Because the female reality is still largely unknown. And language is the thrill that holds the unknown in its vague and shifting ways. That’s writing. But despite the fact that there are more females in the poetry world, more females writing their accounts somehow only a fraction of them are able to bob to top of the heap. So the poetry world is in effect performing a kind of affirmative action for men by giving their work a big push ahead, celebrating men’s books at a much higher ratio to the amount and quality of work actually being produced. And I’m not entertaining for a moment that this is because male work is better. I’m female and I don’t so much think female work is better. Female reality is not better. But female reality has consumed male reality abundantly—we have to in order just to survive so female reality always contains male and female. That seems interesting as hell so at the very least I think it’s a lot more interesting than a monotonous male reality."